Is the Kenyan Film ‘Rafiki’ Immoral?
The Kenyan High Court has upheld the ban of the highly debated locally made film ‘Rafiki’. The court claims it is protecting society from moral decay. But is that really how morals and art work?
You don’t need to be a film buff to know about Kenya’s 2018 film ‘Rafiki’ (meaning friend in Kiswahili). You may not have watched it due to the legal wrangles it’s been involved in – but that’s also probably why you’ve heard of it.
The feel-good coming of age movie focuses on a budding romance between two young women, Kena and Ziki, amidst family and political pressures brought on by the state of LGBTQI+ rights in Kenya.
The movie went on to receive critical international acclaim and was the first Kenyan film to be screened at the Cannes Film Festival.
- Before its release in Kenya, Rafiki’s director and film pioneer Wanuri Kahiu was asked by the Kenya Film Classification Board (KFCB) to change the film’s ending before the body could clear it for screening. KFCB found the ending too hopeful and positive for a film depicting LGBTQI+ content. Kahiu refused to agree.
- The KFCB went on to ban Rafiki ‘due to its homosexual theme and clear intent to promote lesbianism in Kenya contrary to the law’. It warned that anyone found in possession of the film would be in breach of the law.
- In response, Wanuri Kahiu petitioned the court to lift the ban and allow Rafiki to be shown in theatres so that it would be eligible for submission in the Academy Award category for Best Foreign Language Film at the 91st Academy Awards.
- The Kenyan High Court lifted the ban on the film, allowing it to be screened in the country for seven days, solely for eligibility purposes. Giving her ruling, Justice Wilfrida Okwany cited Kenyan artists who had to seek asylum in other countries because their creations went against the grain of local societal expectations.
Whether or not the film was palatable to all, the freedom of artistic expression won over the unrealistic and heavily biased outlook of the KFCB. Furthermore, despite KFCB head Ezekiel Mutua’s vehement protests, the public took to the cinema in droves to watch the movie that had put Kenya on the map cinematically for the first time in a long while.
Fast forward to the growing casualties of 2020, and Kenya’s High Court has upheld the ban on Rafiki despite the creator’s best efforts to have the ban reversed.
‘I fear that the Act and guidelines under which the film was banned are a threat to free speech and media freedom. The decision to restrict the film was arbitrary, unconstitutional and a violation of my right to freedom of expression which includes freedom of artistic creativity,’ Kahiu said in the initial petition.
The court’s presiding judge, Justice James Makau, passed his ruling, saying the discretion exercised by the KFCB to prohibit the screening of Rafiki was constitutional. He also said the ban did not in any way violate artistic freedom of expression but instead protects society from moral decay.